11 July 2009

AUGUST DIRECTOR POLL - WEEK 1

The first week of voting for the director to be given a month-long retrospective this week is behind us (vote now! poll in the sidebar), and the results are a little surprising. Miyazaki Hayao has been running away with it pretty much since voting opened, but Alan Pakula has managed to scrape by with a one-point lead. Meanwhile, Spike Lee has overcome a very shocking slow start to come within swiping distance of first, as Ang Lee has begun to stall out. And I'm still at a loss to explain how the crazy stylistic genius Pedro Almodóvar is staying trapped in a very firm and very distant fifth place.

But there are still weeks to go! So go out there and vote for your favorite - find a bunch of unused computers if you want, cheat the poll as much as possible; it's America, dammit.

6 comments:

  1. Spike Lee has such sharp contrasts in quality throughout his career. In fact, Spike Lee's body of work lends itself perfectly to a retrospective. It would be like an emotional rollercoaster, and I imagine that the different films would compliment each other very strangely.

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  2. Perhaps I'll work up the nerve to go to the library and vote for Spike several times.

    I think it'd also be good, personally, as I'd finally get the motivation to watch Girl 6, Summer of Sam and ("maybe") even She Hate Me to finish his feature catalogue.

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  3. On your advice, I think I just killed the poll, overflowing it with ironic votes for George Lucas.

    Right after it died I thought of a more hilarious person to vote for. Damn it.

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  4. Ooh, never mind. It came back! It just shut itself down temporarily because it detected a flood, I guess.

    Now, to decide whether or not I want to give Kenny Ortega 100 votes...

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  5. Damn, looks like I've got to hit every computer in Nottingham to get Miyazaki back in the lead.

    I don't think I could stay alive through a retrospective of Alan J Pakula. To start off with the highs of 'Klute', 'The Parallax View' and 'All the President's Men', only to take the kamikaze-like nosedive in quality and end up with the last decade of his career and the rancid expanses of celluloid that comprise 'The Pelican Brief' and 'Consenting Adults'.

    And does a man who made three films distinguished by an authorial signature only to devolve into a film-making-by-numbers studio hack count as an auteur?

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  6. Bring on Pakula! He gets my vote, despite the drop-off in quality during the twilight years of his career.

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